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Article Dans Une Revue Trabajos de Prehistoria Année : 2012

Paintings in Atlantic Megalithic Art: Barnenez

Primitiva Bueno Ramirez
  • Fonction : Auteur
Rodrigo De Balbin Behrmann
  • Fonction : Auteur
Philippe Gouézin
  • Fonction : Auteur
Rosa Barroso Bermejo
  • Fonction : Auteur
Antonio Hernanz Gismero
  • Fonction : Auteur
Jose M. Gavira-Vallejo
  • Fonction : Auteur
Mercedes Iriarte Cela
  • Fonction : Auteur

Résumé

The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed.

Dates et versions

hal-01147555 , version 1 (30-04-2015)

Identifiants

Citer

Primitiva Bueno Ramirez, Rodrigo De Balbin Behrmann, Luc Laporte, Philippe Gouézin, Rosa Barroso Bermejo, et al.. Paintings in Atlantic Megalithic Art: Barnenez. Trabajos de Prehistoria, 2012, 69 (1), pp.123-132. ⟨10.3989/tp.2012.12083⟩. ⟨hal-01147555⟩
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